poi

Hoki mai ki tō tātou whare o Taringa. I tēnei wiki ka āta matapakitia te whetiwara Aotearoa Traditional Māori Performing Arts i tū ai i Tūrangawaewae i te tau 1992.

Snow, Paraone and Kahu listen to some excerpts from the 1990 Aotearoa Traditional Māori Performing Arts Festival (ATMPAS), which was held in a hot tent in Waitangi that year.

As the dust settles and te ao Māori reflects on what was one of the most memorable Matatini, the Taringa trio also reflect and look at some tikanga pertaining to te ao haka. We also wānanga about the future of haka, what competitive haka could like and how we may get there.

Ngā kupu o te haka. Paraone and Te Puaheiri look through He Tohu Whenua Rangatira - A judges compendium of terms used to describe aspects of haka, discussing a selection of kupu from it's glossary. Not only are these kupu for haka but also for our daily use. A challenge is issued to all kapa and non-participating to use these kupu kei ngaro.

He aha te reo o te kaiwhakawā o te kaiwhiriwhiri rānei? What is the language of the judge? What are some of the remarks they make when marking certain items of the kapahaka bracket?
Kahurangi also explains the techinicality of the poi.

As we build up to Te Matatini 2023 we invite one of the giants of te ao kapa haka; Trevor Maxwell to join us. We hear untold stories of what happened in 1983 and how "2 weeks in Manutuke" propelled many kapa into existence. We also hear about the risks Trevor and his kapa took to push the boundaries of kapahaka.

Delving deep back into the archives, Paraone and Snowy listen to some excerpts from the 1988 Aotearoa Traditional Māori Performing Arts Festival (now called Matatini) which was held in Whāngarei. We also have a special impromptu phone call with a prolific Māori composer to offer their insights to this event, who could it be?! Whakarongo mai to find out, e te iwi.